LAI MUSEUM

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Dirige y Coordina: JAIME RODRÍGUEZ / Curator & Coordinator: jaime Rguez

 

 
 

El término sound-videoArt pretende dar un nuevo concepto a las obras digitalizadas en las que se combina la creatividad sonora-musical y la imagen en video generando una simbiosis que se muestra como un lienzo audiovisual en movimiento.


The term sound-videoArt pretends to give a new concept to the digitalized works in which sonorous-musical creativity and image in video are combined to generate a symbiosis that is shown as an audiovisual canvas in movement.

 
 

 

 

 

 

 

 

 
 

    PROGRAMA DE PROYECCIONES watch&chat 06.06.2015                 

 
  photography copyright begoña muñoz 2015 courtesy from the artist to lai museum official website all rights reserved  
 

^ Regiatro de un instante capturado en el transcurso de las proyecciones ACTIVA´2015 en el Laboratorio de Arte íntimo salalai -

 

01.- Mónica Ezquerra - ku mu [La Locura de Bashô]

Música: Eliane Radi gue - Geelriandre (1972, grabación original, fragmento)

2014 DVD PAL 16:9 | 3:19 | from León, Spain.


Desde los conceptos ku [vacuidad] y mu [nada] la poesía de Bashô alcanza su profundo nihilismo, pleno y radical. "En el mundo, pero fuera del mundo; como las nubes que el viento arrastra". La locura de Bashô: ni tiempo - ni espacio. La base es vacía, es vacío. Llegar a la forma sin forma [ + ]

From both concepts ku [vacuity] and mu [nothing] Bashô's poetry reaches its deep nihilism, full and radical. "Into the world, but out of the world: as clowds carried away by the win" . Bashô's madness: no time - no space. Base is empty, is vacuity Become form without form in Nishida's [ + ]

 

 

 

 

 

 
 

laimuseum  FONDO DOCUMENTAL DE ARTE ACTUAL                                                                                                                                                watch&chat 06.06.2015     


 

 

02.- Roland Quelven - P O L A R O I D S 2014                                                 

DVD PAL 16:9 H264 | 05:40 | from Finistère, France.
"Collage with sounds from the Souncities databank."

 

Footage from free Prelinger Archives Materials recorded by Isabel Pérez del Pulgar & Roland Quelven.

Moving polaroids as a non narrative “accumulation-collection” of informations held in collective memories

 

 

 

 

 

 
 

laimuseum  FONDO DOCUMENTAL DE ARTE ACTUAL                                                                                                                                                      watch&chat 06.06.2015     


 

 

03.- Wilhelm Mathies & Isabel Pérez del Pulgar - DAILY ACTIONS, 2014  

DVD PAL 16:9 QT H.264 mov | 09:38 | from Kenosha, USA & Granada, Spain.


DAILY ACTIONS es una metáfora poética de acciones cotidianas, las cuales reflejan la cultura, la nacionalidad, los hábitos, la personalidad, el gusto, la sofisticación de la persona. Pequeños actos que condicionan y marcan el ritmo de la vida, día a día... poniendo una invisible banda sonora [ + ]

 

 

 

 

 

 

 

photography copyright begoña muñoz 2015 courtesy from the artist to lai museum official website all rights reservedphotography copyright begoña muñoz 2015 courtesy from the artist to lai museum official website all rights reserved

 
 

laimuseum  FONDO DOCUMENTAL DE ARTE ACTUAL                                                                                                                                                      watch&chat 06.06.2015     


 

 

04.- Bogdan Dullsky - Freedom Reflex | As Ever, 2014                        

DVD PAL 16:9 | 10:57 | from Transnistria, Russia.


When it comes to improvisation, this is what I do… The first things to consider are the given circumstances. It’s a bit like an actor trying to relive something with his heart, albeit inside the limits of the stage. He tries both to relive his character’s experience and to allow it ‘through’ him. In the same way - in those same circumstances of an amorphous room - you’ve got to hunt down the main thing. It’s what people sometimes call ‘liberty.’ The driving force behind this project was something similar; we were looking both for stimuli and for reactions to them. If you spend most of your time with a musical instrument in your hands, then a musical syntax, a harmony-based view of the world in all its depth and spatial modes will come together. What I mean is… there’s no need for [desperately-sought] originality… Originality is something you simply cannot avoid!.

Participated: Viacheslav Mikhaylovsky - Russian, living in Transnistria Artem Pustovit - Ukrainian, living in Transnistria.

 

 

 

 

 

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05.- Simone D'Annunzio & César Naves - Simone D'Annunzio, 2014  

DVD PAL 16:9 | 03:53 | from Bolonia, Italy & Asturias, Spain.


En el ruido podemos encontrar disonancias y distorsiones, de igual forma podemos encontrar estas en el carácter humano, y es lo que hace que se acabe la armonía, que gran parte de la energía se utilice más en la destrucción que en la construcción.

In noise we find dissonance and distortion, just as we can find these in the human character, and that's what makes the harmony ends, much of the energy is used in more destruction than construction.

 

 

 

 

 

 
  photography copyright begoña muñoz 2015 courtesy from the artist to lai museum official website all rights reserved  
 

laimuseum  FONDO DOCUMENTAL DE ARTE ACTUAL                                                                                                                                                      watch&chat 06.06.2015     


 

 

06- vÄäristymä (Janne Liimatainen & Jarko Hedenius) - Samaan aikaan, 2014

DVD PAL 4:3 | 01:10 | from Helsinki, Finland.


The strobe lights bring in a sense of rush to this sedate, hypnotic and minimalistic piece of music.


If it is the light or the spectator that is burned out in this test, you decide. The duration is short anyway.“Samaan aikaan (At the same time.)

 

 

 

 

 

 

 
 

laimuseum  FONDO DOCUMENTAL DE ARTE ACTUAL                                                                                                                                                      watch&chat 06.06.2015     


 

 

07- Mind Revolution - El beso, 2014     

DVD PAL 4:3 | 03:07 | from Oviedo, Spain.


Sound and visuals by Mind Revolution. Performer, Tamara Norniella.

 

 

 

 

 
 

laimuseum  FONDO DOCUMENTAL DE ARTE ACTUAL                                                                                                                                                      watch&chat 06.06.2015     


 

 

08- Jacob Kirkegaard & Salvatore Insana - Dove era che non ero, 2014 

DVD PAL 16:9 | 05:34 | from Denmark & Italy.


We are not there, we do not find ourselves, almost lost, almost suspended. Alert, ready to shoot, the danger is out of range and has no signals. Going toward the light to take dangerous risks. Restless tremor of face the horizon keeping our eyes wide open. Assuming or presaging the abyss, in a further condition in which we play the “non-adherence” to the present time.


DOVE ERA CHE NON ERO - WHERE IT WAS THAT I WAS NOT concept SALVATORE INSANA, ELISA TURCO LIVERI with ELISA TURCO LIVERI film, editing, photography SALVATORE INSANA sound from "Gymnasium" by JACOB KIRKEGAARD (borrowed from his album 4 ROOMS, Touch 2006 © 

 

 

 

 

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sound-videoArt [ featured Artist ]                                                
09- 目秦センチメンタル伝説 Hiroshi Mehata - /能夢 Noum-GuenSen-Hitogenoum, 2014


DVD PAL 16:9 | 04:34 | from Tokyo, Japan.


Word Image :::::

Storage Confusion of light and shadow The waterfall it is inverted I generate the scales in the brain cortex. Moment to change in the morning from the night Identity of the wound of the shadow Stairs in the retina I have a waiting list. It was wrapped in a low-pass filter View of feedback Sound with the lethal The scattered Fragments of light. animism and Storage structure of the unconscious / Concept Noum /能夢 is :::: to unite Japanese primitive with Japanese future superfluously by using music and Artwork. / The unconscious world between the extreme of a dream, an actual boundary line that Exist in light and a shadow. Like Noh. / The super-future and the super-past are the same by this concept. The sound and drawing pattern of a tornado noise enter in Most of the work. Storm Sound and Drawing Pattern are Sound and Visual Symbol of Noum. It is to remind the memory wrapped in the abstract scenery of the retina. Simultaneously, then it is for re-building the view. In the Space that is distorted, the new sense is made to appear.

 

 

 

 

 

 

 

 
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